Earthquake Resistant Buildings
This earthquake resistant buildings is one example of shock resistant building terhada gempa.tetapi this building is not in the building Indonesia.padahal is very useful for Indonesia that his country is surrounded by many mountains active and frequent earthquake shocks.
Principles of design:
- balance: asymmetrical because the buildings are not formal bersifst and if the tensile axis center line axis of each element in a pair of re-pair each on left and right axes earlier.
- Rhythm: dynamic because of the repetition of form, line, and the different dimensions and the rhythm of open using a different repetition range.
- Vocal his point: on the outside of the building is semicircular and measures that can be occupied by humans or to build the same house in general
- Scale: monumental as the building can be used by humans for habitation.
- Unity: no alignment because the building there are several forms of the same in the same environment that makes the building looked intact and serasi.dalam these things all the elements support each other and form an integral and complete, not excessive, not less.
Principles of design:
- balance: asymmetrical because the buildings are not formal bersifst and if the tensile axis center line axis of each element in a pair of re-pair each on left and right axes earlier.
- Rhythm: dynamic because of the repetition of form, line, and the different dimensions and the rhythm of open using a different repetition range.
- Vocal his point: on the outside of the building is semicircular and measures that can be occupied by humans or to build the same house in general
- Scale: monumental as the building can be used by humans for habitation.
- Unity: no alignment because the building there are several forms of the same in the same environment that makes the building looked intact and serasi.dalam these things all the elements support each other and form an integral and complete, not excessive, not less.
This 4-story building is one building that is being tested for resistance to shock gempa.di Indonesia desperate need of building this kind of story building 4 but although earthquake-resistant.
Design principles:
- balance: symmetrical because the building is formal and if the tensile axis line of the right and left sides will look the same.
- Rhythm: static because the building looks very from repetition of form, line repetition, repetition dimensi.serta closed because the buildings are of early manufacture of the same until the end of the picture.
- Vocal Point: 4th floor as if in the study of rare four-story building that could withstand the earthquake shocks
- Scale: monumental as the building is habitable buildings not in use as office or his sabagai.
- Unity: no alignment because the building stands alone and no other buildings for comparison.
Design principles:
- balance: symmetrical because the building is formal and if the tensile axis line of the right and left sides will look the same.
- Rhythm: static because the building looks very from repetition of form, line repetition, repetition dimensi.serta closed because the buildings are of early manufacture of the same until the end of the picture.
- Vocal Point: 4th floor as if in the study of rare four-story building that could withstand the earthquake shocks
- Scale: monumental as the building is habitable buildings not in use as office or his sabagai.
- Unity: no alignment because the building stands alone and no other buildings for comparison.
Some traditional house cikondang is one of traditional buildings that are resistant to shocks gempa.karena building is made of bamboo booths that most rural people who use the building.
Design principles:
- balance: asymmetrical because the buildings are non-formal and if the tensile axis line of the right and left sides differ.
- Rhythm: dynamic because building more buildings to the huni.pengulangan shapes, lines, dimensions with the distance that berbeda.serta open because the repetition of form, line by different distances with the onset or termination.
- Vocal point: on the outside of the traditional
- Scale: normal because the natural scale may be obtained by solving the functional problem in wajar.besarnya size of doors, windows, and other elements in which human work is according to function or size of the existing standard.
- Unity: there is no unity because the building is stand alone that makes the building is not the beauty and lack of harmony
Design principles:
- balance: asymmetrical because the buildings are non-formal and if the tensile axis line of the right and left sides differ.
- Rhythm: dynamic because building more buildings to the huni.pengulangan shapes, lines, dimensions with the distance that berbeda.serta open because the repetition of form, line by different distances with the onset or termination.
- Vocal point: on the outside of the traditional
- Scale: normal because the natural scale may be obtained by solving the functional problem in wajar.besarnya size of doors, windows, and other elements in which human work is according to function or size of the existing standard.
- Unity: there is no unity because the building is stand alone that makes the building is not the beauty and lack of harmony